Fuji Superia X-TRA 3 Pack ISO 400 36 Exp. 35mm Film, Total 108 Exposures

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The color in my images from rolls of Fuji Superia 400 has a warmth that makes the reds, oranges, and yellows stand out strongly. The blue tones seem a little weaker, making photos look like I shot them in overcast conditions even though I didn’t. So while I can’t say the film gives an accurate natural reproduction of the scene, it adds a nice tone to the images. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. Fujifilm first created photographic and X-ray filmsin the 1930s. By the 1980s, they manufactured photographic film for consumers. As film photography fell out of style, they merged with Xerox and produced digital cameras. These days, they only manufacture a few types ofconsumer film. The History and Evolution of the Fuji Superia 400 Olympus OM-1 with F-Zuiko Auto-S 50mm f/1.8 and Fujifilm Superia 400. Over-exposed by about 1 stop. Inverted by hand with no adjustments. Where to buy Fujifilm Superia X-Tra and how much does it cost. Nikon FE – AI-S Nikkor 35mm 1:2.8 – Fujifilm Fujicolor Superia X-Tra 400 @ ASA-400 – Processing By: Burlington Camera Nikon FE – AI-S Nikkor 35mm 1:2.8 – Fujifilm Fujicolor Superia X-Tra 400 @ ASA-400 – Processing By: Burlington Camera Nikon FE – AI-S Nikkor 35mm 1:2.8 – Fujifilm Fujicolor Superia X-Tra 400 @ ASA-400 – Processing By: Burlington Camera Nikon FE – AI-S Nikkor 35mm 1:2.8 – Fujifilm Fujicolor Superia X-Tra 400 @ ASA-400 – Processing By: Burlington Camera

In one particular case, I ended up using it as a 120 emulsion because someone gifted it to me. This film had been well taken care of–which basically means that it was kept in the freezer. If that’s what you do, then your film will always look gorgeous. When you take it out, let it thaw out and for best results, I generally let it sit in room temperature for around 24 hours. Then you shoot it and develop it. The results are bound to come out gorgeous. In this case, I used the film in the Pentax 67 with a 105mm f2.4. And the images are fantastic. Considering the film speed, grain is not objectionable at all, and the 42-megapixel resolution of my Sony DSLR ‘scanner’ easily showed good film detail, the failings of my hand-held exposures, and the faults of my 80’s vintage zoom lens on the first roll. I would caution making any guesses about the characteristics of the emulsion until a real data sheet with color curves is released by Fujifilm. There are too many digital variables from my camera to your computer screen. Rolls of Fuji Superia 400 have a fine grain that makes pictures look like classic film images. You can see the fine grain in the photo details, but it still provides an edge sharpness that surprised me. Even in low light conditions, the images remained relatively crisp. I noticed more grain in the shadows of pictures taken in low light, but it didn’t interfere with the overall image quality.

About Fujifilm Superia X-tra 400

For the trip, I brought my Leicaflex SL2 in combination with not one but two 35mm lenses (the f/2 Summicron as well as the PC Curtagon shift lens). As I had wisely loaded the film in complete darkness , I was able to obtain 40 frames from the single roll. An impressive number to be reduced to a not-so-much impressive count of 37 useful frames by camera operator error. By the way, my point-and-shoot cameras often get one more frame out of a Fuji than of a Kodak film. To have a little more room for exposure errors, I rated the Fuji Superia at EI 200. The Images – Day-Time Shots McGee, Jim. "Fuji Press 1600/Superia 1600". Archived from the original on 2007-08-04 . Retrieved 2007-05-14.

To make things easier for you as you evaluate the photos, I’ve prepared a handy scoring sheet you can use to evaluate the films as we go through the blind test. To use it, and this is important, you’ll need to make a copy of my template. Please don’t send me a request to edit my copy. I can’t give you permission to edit the template. You need to make a copy of mine so you can edit it to your heart’s content. To do that, in Google Docs file menu, go to File -> Make a copy. The scoring sheet will help you prioritize the aspects of color film that are most important and unique to you and your shooting needs. So the first thing you’ll do is go along the top and rate how important each evaluation criteria are to you. First rate how important color is. Note that you’re not defining what is good color, only how important color is to you, in general.I’ll always set the ISO on my meter to 800 as soon as I load a roll of XP2. I treat it as 800 film for a few reasons, including the low-highest aperture of f/4 on my XPan. I’ve never had any trouble with loss of quality at 800, and the exposures are always as I imagine them, so there’s no need for excessive correction in the darkroom. Finally, we have Cinestill 50d. In its original form, this film is Kodak Vision3, which is a daylight balanced motion picture film. Cinestill takes Vision3 in bulk and removes the remjet layer so it can be produced as a photographic film. There are several distinguishing factors about this film that set it apart, but the biggest is what happens to it as a result of losing that remjet layer. That layer acts as an anti-halation layer for the film, so with it gone, you will notice a pronounced tangerine-ish colored glow around highlights. This is the Cinestiill trademark and depending on who you are, is what makes it beloved or hated. And while the film does exhibit extremely fine grain, it also has very low edge sharpness which makes it appear soft, again, as a result of that halation. With color films often in short supply and prices continuing to increase, it was sad news when Fuji “paused” Superia X-TRA 400 in April of this year. It’s reasonable to see this as yet another Fuji film being discontinued. Just a short time later, however, news of a new Fujifilm 400 surfaced. Fujifilm Superia 200, 400, 800, and 1600 were used with the Hexar AF, the Leica CL, the Nikon F90, the Pentax 67 (yes, I’ve played with some of it in 120).