INDIANA JONES 4 MOVIE COLLECTION

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the listening area, dominant along front but wrapping around in more intense examples. Action elements are never wanting for additional space. blank. The SteelBooks all slide into a very cheap and flimsy removable cardboard flap that allows each SteelBook to slide into its own nest. It's the symphony of slithering snakes along the floor), and ghastly spirits float and screech to excellent spatial effect in the film's final minutes, as do

Still, forgiving all that, it's an unsurprisingly very detailed image, which laps up the lines and wrinkles on Indy's face, revelling most in his textured, lived-in feel even if there's little of the same in some of the caricature villains. Environments too - again despite looking less authentic this time around - enjoy some veritable nuance, and brief spurts of atmosphere, with softness relegated to Allen's visage and an otherwise largely crystal clear image that wields a fine layer of textured grain intentionally applied to keep this production in line with its predecessors, as far as could be achieved at least. nearly guaranteed to soon unearth the Ark's final resting place, Indy and Marion rush to Cairo where they meet up with the city's finest excavator Indiana Jones and the Last Crusade (1989) followed five years later. While the plot (involving Nazis and the hunt for the Holy Grail) can feel like a retread of Raiders… at times, the arrival of Sean Connery as Indy’s father not only serves to add some more depth to Harrison’s character, but also results in some terrific comedic moments. Get ready for edge-of-your-seat thrills in Indiana Jones and the Raiders of the Lost Ark. Indy (Harrison Ford) and his feisty ex-flame Marion Ravenwood (Karen Allen) dodge booby-traps, fight Nazis and stare down snakes in their incredible worldwide quest for the mystical Ark of the Covenant. Experience one exciting cliffhanger after another when you discover adventure with the one and only Indiana Jones. Detail is frequently extremely impressive on the third entry. The Utah opening is stunning, affording a NatGeo level of gorgeous natural landscapes, and the Venice exteriors are tremendous too, with the later trip to Germany delivering lush green landscapes and beautiful blue skies. There are some superbly resolved skin textures, perfectly unshaven faces, hair, and clothing weaves, it's all fabulously rendered. Sure, there's a little softness, with sharpening tools perhaps more evident this time out on a few of the shots, and Elsa in particular frequently bathed in a softer glow, but really the detail is astounding.Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. After the unexpectedly insane Box Office success of Raiders, of course a sequel was inevitable, with Lucas - in trademark form following Star Wars - talking it up like he had a trilogy planned, but actually not having much of a clue where to go next. The rush to push out a successful second entry was influenced by a number of factors - not least the fact that both Lucas and Spielberg were in a darker place in their lives than during Raiders(undoubtedly a double-divorce will lead to the necessity to involve scenes of hearts literally being pulled out of still-living bodies) . The end result could be argued to be little more than the outtakes from Raiders, stitched together with a threadbare plot that barely explains why its protagonists travel from China to India and get involved in a demonic child slavery cult to recover some sacred gems to restore health and prosperity to a... village. It's a terrific use of the overhead channels that amplifies the audio and adds to the top end where it makes sense, in this case bringing one of the pattern with the film's title center, a blank top, and Paramount and UltraHD logos in light gray at the bottom. Paramount whips Raiders of the Lost Ark into 4K shape with a terrific 2160p/Dolby Vision graded UHD presentation. This is one of the more

The new English Dolby Atmos mix from Ben Burtt delights yet again here. As with the earlier films, the soundstage is big and wide up front, with expansive use of the surround and height channels for immersion. Dialogue is clean, Williams’ score is offered in outstanding fidelity, and the panning is smooth and natural. The fight aboard the boat (when we first catch up with adult Indy) is an assault on the ears, with crashing waves sweeping in thunderously from seemingly every direction. Subtle cues abound—softly chirping birds during the establishing shot of Marshall College, for example, the clamor of anxious students in the surrounds when Indy skips out on his office hours, or the airy echo of conversation in the church library. The canal chase in Venice is a highlight too, as the freighter’s spinning propeller chops Indy’s boat into pieces. Gunfights, cannon fire, the Nazi rally in Berlin, motorcycle chases, air combat, the belly of the zeppelin with its distant humming propellors, the metallic rumble of the interior of the tank—there’s great spacial work in virtually every scene. This is a brilliant object-based surround mix. Additional audio options include Spanish, French, Italian, and Japanese 5.1 Dolby Digital, and Japanese and Russian 2.0 Dolby Digital. Subtitles are available in English, English for the Hearing Impaired, Cantonese, Danish, Spanish, French, Italian, Japanese, Korean, Mandarin, Dutch, Norwegian, Russian, Simplified Chinese, Finnish, Swedish, and Thai. The SteelBooks all share a common aesthetic and it's better to just provide a simple visual breakdown and allow the photographs to fill in theThe following extras appear on the Blu-ray bonus disc, which is identical to the 2012 issue. See below for a breakdown of what's included and please Sallah (John Rhys-Davies), in a race against time to keep the power of God out of the hands of the Devil's agents. Indiana Jones (Harrison Ford) is a full-time professor of Archaeology and a part-time adventurer and treasure hunter. Or maybe it's the other

For the third installment in the Indiana Jones adventures, Spielberg and Lucas change the mood once more but with far better results, effectively rinsing away the awkward aftertaste of the previous entry. For The Last Crusade, they revisit many of the same ingredients that made the first feature a beloved classic, particularly the return of the Nazis and Hitler's pursuit of occult-related artifacts. And on top of that, they add a welcomed twist to the series with Sean Connery joining the adventures as Indy's father, bringing a great deal of comedy to the mix and making the movie almost equal to Raiders. This father-son element is made all the more memorable with a prologue that shows an early adventure, possibly the first, with a young Indiana Jones (River Phoenix) battling treasure hunters. In this pseudo origin story, of sorts, we essentially learn of Indy's inspiration for archeology, the scar on his chin, his phobia of snakes and the fedora hat that has become the character's iconic signature style.

Scores

radical alterations between UHD and Blu-ray one will find. Comparisons reveal quite the leap for both film-like texture and sharpness as well as color The INDIANA JONES 4-MOVIE COLLECTION SteelBook®, exclusively available through zavvi.com, includes nine discs. Each film is presented on 4K Ultra HD Blu-ray™ with original theatrical trailers and on standard Blu-ray™. The set includes an additional Blu-ray™ with seven hours of previously released bonus content. Four SteelBook®, one for each film, are housed in a standard double walled slipcase, with a fitment inside to divide the SteelBook®. The SteelBook® are created by Scanavo. Nazis by the name of Belloq (Paul Freeman), Indy and his elder university colleague Marcus Brody (Denholm Elliott) are approached by Army