Journey to the River Sea

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Maia herself is a charming protagonist. She’s resourceful, she’s intelligent and kind – I just adored her character. But while Maia might feel like what could only be described as a typically “classic” heroine don’t make the mistake of confusing her for a Mary Sue. Ibbotson rounds her character’s determined resourcefulness with flaws. Maia can be impulsive and her curious nature often leads her into scrapes. But it’s Maia’s determination, her ability to look for the best in people that makes her such a lovable heroine. Clovis (Jimmy Bates, Clovis is his stage name) is an impoverished boy actor who dreams of going home to England. He has a mishap in Manaus and leaves the acting troupe as they fall into debt and are arrested. Later, Clovis takes Finn's place as heir at Westwood in England, convincing detectives of the false identity. He is reunited with his foster mother who persuades him to reveal his true identity. Clovis tries to reveal his identity on several occasions—one of which results in disaster he can "have Maia when she's grown up." He ends the book living as the wealthy heir 'Finn Taverner'. Clovis is kind While Maia doesn't get along with her cousins, she has the company of her sympathetic, but mysterious, governess, and she makes friends with the local Indians who work for her cousins. She also becomes friends with a boy about her age whose European father recently died and who plans to go deeper into the interior of Brazil to find his Indian mother's people. Maia desperately wants to go on this adventure too, and, eventually, she does. Amidst her trying to evade her awful cousins, she is tutored by a wonderful governness, goes to piano and dancing lessons, meets a young actor as well as an old professor, some Russian aristocrats and a seemingly wild boy. And yes, all of them play a vital part in this story because almost nothing is as it seems.

The characters are given flesh and bones in the most beautiful, solid writing. Not a word wasted, not a phrase that didn't enhance the story. Descriptions of the places and people formed magnificently clear pictures. The characters did not change and blow about in the wind and I really liked their solidness. It fit the story perfectly. A very fun read. Eva Ibbotson has become one of my favorite writers recently. She's a British author who was born in Vienna and emigrated to England as a child in the early 30s. I raced through her adult historical fiction/romances (which are currently being re-released as YA) and enjoyed all of them, even though I was familiar her plot pattern by the third book.In my initial review, I talked about how the novel was quite flat and very slow-paced. There were serious issues with the representation in this novel; racism, exoticism, and romanticism. I do not feel that the author represented their culture fairly and accurately (due to the problematic content). I vividly remember writing something in my review about the writing being very 'armchair'-esque. It reminded me of the days where Western anthropologists would sit comfortably in their homes writing about people from other cultures, obviously not very fairly and in a very "Othering" manner. I think that I may have also mentioned themes of colonialism and "white saviourism"? I was also certain that the author had little knowledge/experience of the cultures she was harmfully and incorrectly depicting. Not to say that you cannot write outside of your own experience, but this is not how you do it. Some of the books, particularly Journey to the River Sea, also reflect Ibbotson's love of nature. Ibbotson wrote this book in honor of her husband (who had died just before she wrote it), a former naturalist. The book had been in her head for years before she actually wrote it. This was written in a way that reminded me of the books I read in junior school. It relit my ten year old self's yen for adventure and for things completely different to all I've known.

Ibottson began writing with the television drama 'Linda Came Today', in 1965. Ten years later, she published her first novel, The Great Ghost Rescue. Ibbotson has written numerous books including The Secret of Platform 13, Journey to the River Sea, Which Witch?, Island of the Aunts, and Dial-a-Ghost. She won the Nestlé Smarties Book Prize for Journey to the River Sea, and has been a runner up for many of major awards for British children's literature. Eva Ibbotson's style of writing about her characters, where she often seems to leave things unsaid, somehow makes the characters seem even more real because you use your own imagination to fill out some of the details. This was a very original book, the setting, the characters and the plot were all unusual but incredibly engaging. I highly recommend this book to anyone, I would give it 10 out of 10. Journey to the River Sea is a beautifully written novel, deserving its many accolades. As with so many young adult novels the protagonist has to find her way in the world through her own courage, gifts and wits, with just a little help from a few friendly helpers. She is the classic 'outsider' who doesn't appear to fit the mould: she looks different, loves books and, above all, is an orphan. (In fact, as we see, most of the children mentioned in this tale lose or have lost one or both of their parents.) Forget that we have a few possible literary trope borrowings (I suspect Peter Pan and Tarzan and The Jungle Book might have been distant influences, as well as the aforementioned Mary Poppins, Cinderella and, obviously, Little Lord Fauntleroy); it's what Ibbotson chooses to do with these themes that make this both unputdownable and rarely predictable. I hated this book as a child, and basically, my re-read as an adult solidified this. I can understand why I did not like it. I feel it was also very forgettable. All I remember was the harmful content and little else about the storyline. I've been thinking a lot about how children's fiction can play a role in the moral development of a child. Ibbotson writes in a variety of genres, but even her most humorous and farcical stories always have a particular moral clarity about them. She reminds me of Dahl in that way. The baddies are lazy, selfish, greedy, grasping -- and usually rich. The goodies are kind, honest, brave, resourceful, modest and hardworking. They yearn for connectedness, not things.

I’d give the book 4.5 stars, maybe even 5, but the writing/divulgence of the plot was a little too simplistic. I know that sounds petty, and possibly even is, but I actually think the author could have done better and that the book itself somehow called for more depth/delivery. It was a finalist for all of the major British children's literary awards ( below), winning the Smarties Prize, ages 9–11, and garnering an unusual commendation as runner-up for the Guardian Award. Anne Fine, British Children's Laureate (2001-3) and one of three former winners on the Guardian panel, wrote that "we all fell on Eva Ibbotson's perfectly judged, brilliantly light to read, civilised Journey To The River Sea, in which we are shown how, as one of the characters Miss Minton reminds us, 'Children must lead big lives... if it is in them to do so. 'Oh, please let her write another book as fine as this, because, in any other year, we would have handed her the prize without a thought." [1] Plot [ edit ] Journey to the River Sea won the Nestlé Smarties Book Prize for reader ages 9–11. It was identified as runner-up for the Guardian Children's Fiction Prize [1] and it made the shortlist for the Carnegie Medal; [2] the Whitbread Award, Children's Book; and the Blue Peter Book Award.