Looking Good Dead: Volume 2 (Roy Grace)

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Even with the domestic drama prioritised, the compromises imposed by the theatre format allows issues such as the morality of concealing information from the police for fear of reprisals to be raised but not really explored. As a result, the stage version of Looking Good Dead does not completely satisfy as a family drama or as a thriller. To an extent, the play is hamstrung by expectations—fans of the original novel will expect to see detective Roy Grace on stage even though he is reduced to a rather colourless character. The first half is slow as we get to know the characters and premise, but after the interval I was completely hooked. The investigation suddenly gets into full swing and you start to put the pieces together. And even though I made some accurate guesses, I did not expect the main twist! A thriller cast Screen credits include The Nurse in Repression (Accento Films), Reporter in Taggart (STV), Sciron in Scottish Bafta Winning Last Commanders (CBBC), Lauren in Yo Diary! (CBBC), ‘stand-in’ Claire in the Series 4 Readthrough for Outlander (Starz), Herself in ‘Prey’ Spoken Word – The Social Presents (BBC Scotland), Woman in Slimfast Commercial, Mother in Scottish Power Commercial. Top left: Gaynor Faye as Kellie Bryce, Luke Ward-Wilkinson as Max Bryce, Leon Stewart as Branson and Adam Woodyatt as Tom Bryce; top right: Adam Woodyatt as Tom Bryce and Gaynor Faye as Kellie Bryce An established and successful designer for drama, opera and ballet Michael has collaborated with leading arts companies around the world.

The discovery of skeletal remains in a Brighton storm drain and a young girl being hunted by an armed hitman appear to be unconnected, until the two cases unexpectedly collide in the most unimaginable way. Meanwhile, a former colleague of Grace's from the Met, Cassian Pewe ( James D'Arcy) has been sent down to assist the team, and immediately sets about re-opening the investigation into the disappearance of Grace's wife. As the two come to loggerheads, it soon becomes a battle of wills as old enemies must unite to save Abby Morton (Katie Clarkson-Hill) and her elderly mother from those desperate to recover a sheet of priceless stamps.

Elsewhere in the city, when Tom Bryce finds a disc left on a train, he simply tries to do the right thing – return it to its owner. But this attempted act of kindness makes him the sole witness to that same vicious murder. When businesswoman Katya Bishop is brutally murdered, all the evidence points to her businessman husband, Kit ( Arthur Darvill), especially when his girlfriend is also found dead in a similar manner. The only problem being, Kit has a solid alibi for both murders - so how could he possibly be in two places at once? Meanwhile, Grace becomes friendly with new forensic pathologist, Cleo Moray ( Zoe Tapper), but their relationship gets off to a bumpy start when she becomes the latest target of a hitman following every moment of Grace and his team. Could Kit Bishop be connected? And if so, will Grace manage to stop him before he commits any further crimes? While Looking Good Dead most definitely doesn’t fall into category three of my case for the prosecution of Crimes Against Crime Writing and isn’t quite a photofit for category two either, the jury’s out on whether or not it quite deserves the ‘Get Out Of Jail Free’ card awarded for skill, flair and aplomb . John Simm: from Life on Mars to death in Brighton, 6 March 2021". The Times . Retrieved 7 March 2021.

I enjoyed the first in Peter James’s series starring troubled Brighton cop Roy Grace, and LOOKING GOOD DEAD is a sharp and punchy sequel. Rise up all you missing theatre goers , be brave, get out there, live life and fill those empty seats this week , as this excellent crafted drama executed by all this creative cast deserve your full theatre support A third series was subsequently commissioned in May 2022, adapted from the novels Dead Like You, Dead Man's Grip and Not Dead Yet. For this series, Russell Lewis stepped down as showrunner and principal writer, with former Whitechapel writers Ben Court & Caroline Ip penning two episodes, and prolific screenwriter Ed Whitmore penning the other. The series also features Sam Hoare as a new ACC, following the departure of Rakie Ayola at the end of series two. [14]Looking Good Dead follows his other "dead" novel adaptations - Dead Simple, Not Dead Enough plus The Perfect Murder and The House on Cold Hill. This time, the stars come from the main three soaps - Adam Woodyatt (38 years in EastEnders) and Gaynor Faye (Emmerdale and Coronation Street). East 8 became EastEnders and now over 36 years later I have enjoyed many wonderful and different storylines. All I can say is that this production was absolutely brilliant! The best play I've seen in ages .... all of the actors were fantastic ... a great story, great twist and just fab!!! Associate Director credits include: An American In Paris (Dominion Theatre); The Judas Kiss (Brooklyn Academy of Music/Ed Mirvish Theatre, Toronto); The Scottsboro Boys (Young Vic).

Looking Good Dead is the fifth of Shaun’s stage adaptations of a Peter James novel, following The House on Cold Hill, The Perfect Murder, Dead Simple and Not Dead Enough. A sixth is in development. John Simm on his new ITV detective drama, Grace: 'Nobody wants to see Covid on film', 11 March 2021". iNews . Retrieved 12 March 2021.First pictures of Grace filming on location, 16 September 2020". Brighton & Hove News . Retrieved 7 March 2021. In LOOKING GOOD DEAD Grace has a love interest and starts to wonder how he can move his life along again. But you can guarantee, without giving anything away, that it won’t be plain sailing and will leave enough loops open for the next in the series. Overall, Looking Good Dead feels a little more lighthearted than I’m guessing James intended it to be, and a bit more school-play than you’d want from a serious thriller. When the serious thrills within the tale are allowed to come to the fore, they look good indeed; elsewhere, though, the production tends to overdo the Scooby-Doo in terms of inspiration for breathing theatrical life into this menacing drama. Gemma is an actress, writer and voice over artist from Edinburgh. She trained at Arts Educational Schools after studying English Literature at the University of Glasgow.